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Pete Radcliffe, stripped to underwear and bound to torture table, plays head games with Benjamin Hewitt in The Black Pouch Crusader, from Jasper's The Crux of It.

"Well, shit, Benjamin. I'm just curious. What did Elwood Cates ever do to you?"

"Nothin', but he pays wages. The ladies are offering me a better deal, that's all."

"A better deal of what? They don't even know if that vein exists. Nor do you."

"Sure I do. Elwood told me."

"Did he show it to you?"

"No, but he's got no reason to lie to me."

"Why not? Because he trusts you?"

"Hell, yeah."

"Guess he made an error in judgment when it comes to you, Benjamin Hewitt. Back stabber."

"Aw, shut the hell up, Radcliffe. What do you know about it?"

"I know a man's only as good as his word."

"I said shut up."

"I know men've got to stick together, because women cannot be trusted. I know that helping a thief makes you just as much a thief."

"Damn it, Radcliffe! I'm warning you to shut the..."

"I know a judge is gonna come down harder on you than he will the ladies. Judges are men, and they don't like men throwing in with thieving women to steal from an honest man."

"Shut up! Shut up!" Hewitt clasped both hands around Pete's neck, squeezing with all his might. "I warned you, didn't I?"

 

 

Philo and Artimos celebrating Philo's rescue in The Tortured Secutor, from Jardonn's Let's Get Medieval.

But with all the niceties surrounding me, what stood out most were the three items left over from the bad old days: the torture table; the suspension chains; the cross of t. And here, standing near the cross with walking stick in one hand and drink in the other, was Philo.

He spoke with a man unknown to me. In fact, none of the men gathered in this room were known to me, but when Philo turned to acknowledge my presence with his ever-inviting smile, all else was oblivious to me.

I joined him, and much to my surprise he kissed me, embarrassed me.

"Philo!" I whispered. "Careful. What will others think?"

"No thinking. They will know. As they should know. As you should know."

And with that, I embraced him for a seriously wet kiss to leave no doubts.

"Look, Artimos." He pointed to the cross. "You're just in time for the show."

Laying atop the wood on the stone floor with arms stretched and roped to patibulum, ankles bound together on the stipes, a naked man was awaiting his ascension, his muscular body enhanced with short black hair. Covering his head was the Secutor's helmet. What did he feel? I could not know. He wanted to escape. His straining muscles and expanding chest told me that much, but he knew there would be no escape, as did I.

 

 

Otto coming once again to Peter Sion's rescue, in The Bishop of Grunewald, from Jardonn's book Let's Get Medieval.

Within two seconds, Jonathan was spun around and his body slammed against the wall, and then before he could react to any of it, the metal bar was pressed firmly against his throat.

"You are a foolish man, Jonathan Sikes." Peter's little bull held Jonathan inches off the floor by means of that long bar pressing beneath his chin. "You are given your freedom. And this is how you repay your king? I should snap your neck right here and now."

Otto could easily have done just that. Regardless that Jonathan stood a full four inches taller than he; regardless that Jonathan was pressing the bar from his direction with all his might; the little bull was an unconquerable force, especially when the man he loved was being threatened.

"Thank you, Otto." Peter stood behind him. He kissed Otto's sweat-drenched hair, rested his chin upon Otto's bulging trapezoid, nibbled his over-sized ear, and rubbed his hands up and down the length of Otto's flexing, sweat-slicked, fur-matted chest and belly. "You amazing, strong-ass, son of a bitch." He smothered Otto's thick, smooth-shaven neck with kisses. He tugged the hair on the nape with his lips. "God, I love you... you glorious he-man... my savior... coming to my rescue again."

Sion turned his attention to Otto's prisoner. "You do not understand, Jonathan. My little bull could kill you in an instant if I give the word." Peter clamped fingers and thumbs onto his little bull's perfectly round, tiny and sharp-tipped nipples. "Do you see the steam coming from his nostrils? He waits for my command." Peter twisted those nipples, causing his little bull to snort, mucus splattering onto Jonathan's stomach. Jonathan's face was red, quickly turning purple. "Relax on him, Otto. I will explain to Jonathan his good fortune."

 

 

Melvin's big break in The Thomas Coleman Full Nelson, from the book Hard Working Men.

Anyway, back to my apprenticeship. Through one of the hottest July-into-Augusts on record I did the grunt and the dirt and the sweat. And I took lip from men who'd been there done that -- some of them insecure and just plain hateful, most of them merely giving me shit to see how I'd take it. The trick is to recognize which ones expect you to take it and like it (the true assholes), and which ones hope you'll throw it right back at them. Those are the men testing you to see if you can pass muster, and if you do, chances are good you'll be asked to join a crew sooner than later.

My chance came first week of August. John Duncan pulls me aside about an hour into my Tuesday morning.

"Melvin this is Paul Bresco, my window installation man."

I'd seen him before. Talked to him a little. Nice guy compared to most. Always had a smile and thank you anytime I'd cleaned up one of his messes. Man looked like a dark-haired orangutan, 5’7”, big ears sticking out under his hard hat, hair on top shown to be mostly gone forever after his hard hat came off. His stubby-fingered right paw extended for a handshake. "Gonna need your help today, son. Can you do ladder work?"

"Yes, sir."

"Not afraid of heights?"

"No, sir."

"Then come with me."

What he didn't tell me was that by heights he meant on a platform hanging from cables off the roof about 80 feet up, and by ladder he meant another 15 feet atop the scaffold platform. No matter, it had to be done, and Paul Bresco teamed with me as our eight-man crew split into two teams of four, installed every top-floor window of the building that day. Big-ass plates of glass hauled up to us by crane and cables. One man on each side of glass had to guide it into position, two on the platform, two on ladders. I started on the platform, progressed to the ladder after lunch. Mr. Bresco appreciated a man who worked slow and careful until he knew what he was doing. He appreciated a man who kept his mouth shut and ears open, who only asked pertinent questions, who was willing to learn, who wanted to do it the right way. And at the end of the day, after nearly 10 hours of me learning by doing, Paul Bresco showed his appreciation in an unusual but traditional way.

 

 

After some serious sex in the natural pool of their Haemus Mountains hideaway, Boris and Gregoric dig into something deep. From Jardonn's book Danube Divide.

Returning to the pool, I paid no attention as to whether he was following or not. Boris's challenge would take me time. His questions of most importance. Knowing this, he kept his distance, lounging in water at the pool's edge with his arms spread behind him on the rock ledge, while I crouched in water to my neck, my feet on the pool's floor.

History, he had said. That is why Sabinus and Boris came to this place. History. Boris had used our Germanic cave above the Koniksbruk to tell us about Emperor Aurelian, his assassination bringing the quick demise of Mithraism and rapid advancement of Christianity. Which was the greater loss?

Aurelian. A brilliant military strategist and noble statesman. A ruler who did his best to inspire his citizens, to provide them security, to give them the tools necessary for their own personal prosperity and happiness. A man who concentrated the treasury on maintaining the infrastructure, even built a new wall around Rome outside the ancient Servian Wall. A man who led by example, who only used the sword against those who insisted upon making Rome their enemy. A man who surrounded himself with the smartest he could find, who ignored the negative obstructions of those who refused to participate in his vision, his hopes for a greater society both inside and outside his borders of empire.

Which was the greater loss? Aurelian. A living, breathing, human being. Or Mithras. A concocted go-between to an imagined god. A character in a play written by man. A character, like Hercules, like Mercury, like Artemis, like...

"Jesus Christ, Boris," I swam to him. "These gods, all of them are inventions of man. They are props for dramatic stories. Plays of no more value than the tragedies of Euripides or comedies of Plautus. Great literary works, and just as important as the tales of gods. No better, no worse."

"Characters, Gregoric. You've hit the spike on the head." For my victory of critical thinking, I got a kiss and a hug. And then Boris wrapped his arm around my shoulder and pointed to the sky. Twilight. Stars faintly contrasting against dark blue, three-quarter moon making its appearance just above the wall of granite. "Make no mistake, Gregoric. Something created everything you see around us. Those lights in the sky. The walls of this gorge. This beautiful pool of water. You. And me. It is only natural man would design the creator to look like man, to have human qualities good and bad. But would something great enough to make all of this have flaws? Same as man?"

"Not likely."

"Of course not. There is no way to know what created the creator. You will go mad trying to answer it. All we can know is that there is an incredible power making the sun appear every day and moon every night. I like to think of it as a great fire. That's what Eusebius said. Sparks fly in all directions. And we are those sparks, Gregoric. You and I and every person living. The afterlife is nothing but theories. Plays written by man, like you say. There is nothing wrong with hedging your bets and learning about all faiths, but do it for the sake of history. No man knows for sure what happens when you die. No man has been there and come back to tell of it. And those who try to preach to you about what the afterlife is are more often than not doing so for their own personal gain. Financial, self-esteem, any one of dozens of reasons, none of which benefit you."

Much to absorb, but Boris was a master of explanation and I was certain he could answer my next all-important question. "So, Boris, why did we go through all these rituals for Mithras? He is a theory just like all the others."

"Because I wanted to get you in your Germanic cave and fuck you."

 

 

More will come from time to time.

 

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